MEANING OF ‘OJAI’ IN DOUBT BUT INDIANS HAD NAME FOR IT

The following article was first run in the FRIDAY, NOVEMBER 28, 1947 edition of THE “OJAI” on PAGE TEN. THE “OJAI” is now the “OJAI VALLEY NEWS”. The article is reprinted here with their permission. The author is unknown. Photos have been added by the “Ojai Valley Museum”.

Articles from the past often contain historical inaccuracies. History changes as new information is brought to light. Please read the notes from a local historian below the article for updated information. Or better still, purchase a copy of “The Ojai Valley: An Illustrated History” 3rd edition.

MEANING OF ‘OJAI’ IN DOUBT
BUT INDIANS HAD NAME FOR IT
__________


“A-hawai,”[1] was how the early Indians of the Ojai Valley pronounced what we now call “Ojai,” and they spoke a Chumash dialect; but what it means, has long remained cause for difference. The various Indian dialects used the word with different interpretations, but for many years has been accepted to mean “nest,” (although a number of persons have claimed that “moon” is the proper interpretation.)

However, because of the area’s geographical setting, persons viewing the twin valleys from an elevation are convinced that it resembles a giant bird nest, and for this reason feel that “A-hawai” means “nest.”[2]

[3]From “A-hawai” the name was developed to “Ojay,” and then to “Ojai” when the Spanish and Americans occupied the territory. In the middle of the 19th century, California was about the most interesting place in the world, or at least the entire world wanted to know more and more about this place called California . . . GOLD, you know, interested just about everybody . . . except, probably, a man known as Charles Nordhoff, who was more occupied with the coast scenery and writing about it and the people.

CHARLES NORDHOFF (1830-1901)

Nordhoff was a roving correspondent detailed by the New York Herald to do a few articles about this land by the Pacific shores. While roving around in the year 1872, he came across the Ojai Valley, and what he saw inspired him to write words so forcefully that two men gave a small location his name. [4]

In 1883, an R. G. Surdam purchased 1500 acres of land in the Ojai Valley near the San Antonio creek. Of this land he laid out 160 acres to be established as a townsite, offering 20 acres to anyone who would build a hotel on the property. A Mr. A. W. Blumberg accomplished this feat, and one day while the two families were discussing the townsite over a dinner table, the hotel builder suggested naming it Nordhoff, in honor of the man who wrote so enthusiastically about it. And so was it called in 1884. [5]

Royce G. Sudam
The Blumberg Hotel

However, prior to this, in the Ventura “Signal” issue dated July 26, 1873, the first townsite in the Ojai Valley was advertised as “Ojai,” but this did not develop.[6]

And though legend has it that an unwritten law existed between the Indian tribes, in which the Valley would be utilized to discuss peace terms, and that wars would be religiously forbidden, the land was thickly populated with wild animals.

The early farmers were often troubled by the animals, and so were those who thought themselves safe behind locked doors. Thomas R. Bard, who was sent here to look after the interests of Thomas Scott, assistant Secretary of War under Abraham Lincoln, is reputed to have killed a bear in his bedroom in 1870. One year later, so say the history books, three boys lassoed a bear and brought it home to their astonished parents.

The town of Nordhoff was growing quite rapidly, and on October 27, 1891, the first issue of The Ojai was published at the Ojai library.

Just when the name of Nordhoff was changed to Ojai is somewhat confusing. One bit of reference claims “Ojai” was officially adopted in 1916, however, some records show that in 1917 a Henry Morse, then manager of the Foothills hotel, first petitioned to have the name changed. According to the newspaper masthead of The Ojai, the change from Nordhoff to Ojai appears in the May 4, 1917 issue for the first time. Evidently, however, the change must have been of little importance because there wasn’t a mention of the fact in that particular issue.

Why the name was changed, is still another story. Many people claim that Charles Nordhoff, born in Germany, was a German sympathizer during World War I. [7]

Nevertheless, on July 26, 1921, the townsite became officially known as the City of Ojai on a vote to “incorporate” by the people. On this occasion, a gavel, composed of East Indian Teak (off a wrecked English ship on Santa Rosa Island) and Iron Wood (found on Santa Cruz Island), was sent with a letter to the city council by a C. W. Rasey, of Santa Barbara, who wrote: “May the sturdy strength and tenacity of the materials of which this gavel is made, prove typical of the enduring future of your picturesque and beautiful little city.”

  1. ‘Awha’y’ (aw-ha-ee) was the name of a Chumash village in the Upper Ojai.
  2. Research and linguistic analysis has shown that ‘Awha’y means moon, probably in the cyclical sense.
  3. With the Spanish, the Chumash name ‘Awah’y became “Ojay.” Later, with the American settlers, the Spanish name was written “Ojai.”
  4. Charles Nordhoff visit the Ojai Valley in 1872, nor did his 1873 book, California for Health, Pleasure, and Residence, mention it. Nordhoff visited Ojai on a later trip to California, in 1881, and wrote about the Ojai Valley in the book’s second edition, published in 1882.
  5. Surdam laid out what is now the town of Ojai in 1874. Credit for naming the town “Nordhoff” is given to Blumberg’s wife, Catherine.
  6. The first proposed town was to be located east of what is now Gridley Road, on the ranch of Lorenzo Dow Roberts. Surdam beat him to it by platting the town of Nordhoff in a wooded area of the valley called “White Oak Flats.”
  7. There is no evidence that Charles Nordhoff was a German sympathizer. There was some antipathy toward German names during the time of World War I, but more likely Mr. Libbey suggested it because the name was more suitable after the Spanish makeover of the town in 1916-17.

My Favorite Town — OJAI, CALIFORNIA

This article was originally printed on pages 42 – 46 in the December 1951 issue of “FORD TIMES” magazine which the “Ojai Valley Museum” has in their collection. The magazine was gifted to the museum by the Ojai Branch of the Ventura County Library System.

My Favorite Town —

OJAI, CALIFORNIA


by Lael Tucker

paintings by Brice Mack

We were looking for a temporary home town. We gave it that designation because, in the middle of a long trip, we had to find a town where we could spend six consecutive weeks writing. It had to be a very special kind of town—one to belong in—in a hurry.

We were rediscovering our own country after four years in Europe. Our own house was leased, our children in transition between languages and schools, our belongings scattered. So we started out to see our country again. Seventeen states and six thousand miles later, we were in Ojai, California.

Nobody told us about Ojai. We were still looking for that temporary home town. This day, we were merely on our way to relax in some hot sulphur springs up a small valley fifty miles north of Los Angeles. The narrow road from the Pacific Coast curled upward like lazy smoke. The gentle mountains on either side reminded us of the Pyrenees.

We came to a road sign that pointed to Ojai. We abandoned the hot springs idea simply because we like the name Ojai (O-hi), and because we felt happy. Six weeks later we still did. We hated to leave.

Ojai’s Main Streeet shops are sheltered in a long, homogeneous block under a continuous, graceful arcade. The post office has a Spanish bell tower, the park has picnic tables under the oaks and the best free tennis courts we ever saw.

The side streets are oak-shaded, and the Valley Outpost Motor Hotel is built on the edge of town under the mountains. Each housekeeping cabin is tree-shaded and private, and flowers bloom in each yard. The sun shines in a painter’s blue sky. Nights are cool in the brown, hot summer, and the winters are green and mild.

Ojai’s citizens come from everywhere, believe all kinds of things, dress as they like, and like what they please, from classical music to bowling at the local all-night short order joint. All kinds of school children go to all kinds of schools. The whole population—old settlers, winter residents, and visitors—have two things in common. They came to Ojai because they wanted to, and are there because they love it.

After so long in Europe, where everyone does everything for you, I had to learn to keep house all over again. In Ojai, everybody helped me do things for myself. Bewildered by the impersonal superabundance of food in the big markets, I went down the street to Mr. Cox’s family grocery. He helped me plan my menus and select the ingredients, while his chic, pretty wife told me how to cook what I bought. He also took me home in the store truck when I was walking, coaxed my daughter into drinking milk, and brought us orange crates for my son to convert to furniture. The Cox’s came from Oklahoma.

Since public laundering was rather an expensive business, Mrs. McNett, the manager of the motor hotel, loaned me her washing machine, taught me how to use it, and managed to do a big batch for me while showing me how. The McNetts are from Arkansas.

A lady from Maine initiated me into the art of making starch, and a neighbor from Louisiana said it was a pity not to darn good wool socks, and fixed up my husband’s while she demonstrated.

My husband wanted to write his book unmolested, do some walking in the country, hear some music and get a sunburn. Ojai obliged on all counts. Unlike the rest of California, Ojai expects you park your car now and then and take a walk for fun. It also understands a writer’s preoccupied, antisocial behavior. And there were six weeks of bright, browning sun—and a music festival!

El Rancho Ojai was a grant of land, full of streams, bears, wildcats and coyotes, all of which have since diminished. It was the press that really discovered Ojai’s dependable and lavish virtues. Charles Nordhoff, roving correspondent for the New York Herald, dropped up in 1872 and wrote so glowingly of climate and beauty that a lot of people named Dennison, Gray, Sinclair, Van Curen, Pirie, Montgomery, Munger, Waite, Todd, Pinkerton and Jones came out to visit and stayed to winter, founding a sunny, Spanish-style New England village in the western valley. In gratitude, they called it Nordhoff as well as Ojai for twenty-five years.

Its history is a fine mixture of New England and Wild West. A classical Latin scholar from Vermont named Buckman taught school in Ojai. One Colonel Wiggins opened the first hotel with a grand ball for three hundred and closed it again when his guests objected to being treated like company privates at New York prices. Four highly equipped professors, one specialist in Oriental languages, opened a Seminary for Young Ladies, but no young ladies dared the valley. The Thacher School for Boys, established in 1889, flourished, and later graduated author Thornton Wilder and Charles Nordhoff’s grandson, Charles, the writer.

Ojai town was incorporated in 1921 and has grown since from a population of 750 to 2,600. The constant sun, which is its blessing and its reason-to-be, has nearly destroyed it three times by making tinder of its surrounding forests.

But nothing has touched its spirit, its community spirit. Before you have been there a week, you find yourself partisan and citizen of Ojai. You speak of yourself in Ojai as “we.” It’s hard to define what makes it like that.

It’s a town of schools, day schools, boarding schools, progressive schools and prep schools, public schools and two where children take care of their own horses.

It’s a town of religions. Besides the usual denominations of an American community, there are Mormons, Missionary Baptists, and Four Squares. Mrs. Annie Besant tried producing the “new human type” in Ojai. Jiddu Krishnamurti made Ojai his retreat and many gentle people live there in order to listen to him.

It’s a town of the arts. It’s not its artists and writers, its Beatrice Wood, the ceramist, Guy Ignon, the painter, its Chekhov players or its music festival, that make it so. It’s everybody.

The millionaire’s wife will stand next to the talented plumber at the art exhibition. The wintering lady form Maine partners the Mexican ranch worker at the dance. The man who grows acres of oranges for fun or the one who drives in from Ojai to tend a business in Los Angeles may keep score for the school kids at the bowling alley. Whatever squabbles there are, are personal. You’re welcome. Not as a Howdy Stranger, but as Hello Citizen. They only want to keep Ojai the way it is: a place where you’d rather cut off your finger than cut down an oak tree and where you can belong at once, and for as long as you like.



The post office reflects the Spanish influence in Ojai.
TOP PAINTING: The shaded golf course at the Ojai Inn and Country Club BOTTOM PAINTING: Native oaks were here long before the first settlers came.
TOP PAINTING: Even a young town like Ojai has its past BOTTOM PAINTING: Autumn colors come early to the Valley

“Nordhoff vs. Ojai”

This article first appeared in the Ojai Valley News in the October 22, 1969 edition. It is reprinted here with their permission. The author is Ed Wenig.

“Nordhoff vs. Ojai
by
Ed Wenig

Legend has that Mrs. A.W. Blumberg, wife of the builder of the first hotel in the Ojai Valley in 1874, insisted on naming the proposed new town “NORDHOFF” because she said, Charles Nordhoff had called attention to the valley. Husband A.W. Blumberg and promoter R.G. Surdam graciously went along with the suggestion.

Nordhoff did write much about California in a book titled “CALIFORNIA For Health, Pleasure and Residence”, but Ojai Valley was not mentioned. He also wrote for newspapers and magazines and, it is said wrote about the valley. The claim is controversial and has not been substantiated, in the view of historians of recent times.

CHARLES NORDHOFF (1830-1901)

In April 1894, Charles Nordhoff did register at the Gally Cottages, and a few days later lectured at the Congregational Church in Nordhoff on “OLD TIMES IN CALIFORNIA.” The local newspaper reported in two columns everything Nordhoff remembered, but he apparently said nothing about visiting the valley before the town was named for him.

In 1894, the people of Ojai Valley were really stirred up about the name “Nordhoff,” for the only town in the valley. The editor of “The Ojai” suggested in an editorial that the matter had been fully discussed, and that every man, woman, and child in the two valleys, resident or visitor, should be polled. The result of such an election would determine whether the question should be forever dropped, or the proper steps be taken to have the name changed.

Feelings run high

Letters literally poured into the editor of “The Ojai” for and against changing the name of the town. Feelings ran high. In a later editorial the editor gave a mild admonition that letters on the subject should be “cleanly worded communications intended for the common good.”

Those who favored changing the name NORDHOFF to OJAI argued that postal clerks throughout the nation were mistaking Nordhoff for Norwalk; that people outside of the valley were confused as to what the post office address really was; that Ojai Valley was losing the effect of much advertising by having another name associated with Ojai; that the name Ojai was unique, the only name of its kind in the whole wide world! One petition was even circulated in east Ojai Valley for the establishment of a new town in the valley to be called “Ojai”.

Those who opposed the name change explained the “Nordhoff” was the name chosen by the people who founded the town 20 years before in honor of Charles Nordhoff, New York writer and traveler, who, they said, had mentioned the Ojai Valley in a newspaper article; that “Nordhoff” had too long been attached to the location to cast it aside unceremoniously.

Twenty-three years later, without much fanfare, “The Ojai”, on March 31, 1917, carried this notice under the Headline: “Now it’s Ojai”: “This telegram from Washington is self-explanatory. H.R. MORSE, FOOTHILLS HOTEL, YOU MAY ANNOUNCE CHANGE OF NAME FROM NORDHOFF TO OJAI. BEST WISHES. (SIGNED) JAMES D. PHELAN, U. S. SENATOR.”

Footnote: Those who have read “Mutiny on the Bounty” will be interested to know that its co-author, Charles Bernard Nordhoff, who was a student at Thacher School in 1898-1899, was the grandson of the Charles Nordhoff for whom the town was named.

Charles B. Nordhoff in 1918.

David Mason: Linking past & Future

The following article first appeared on Page A-2 in the November 11, 1992 edition of the Ojai Valley News. It’s reprinted here with their permission.

by
Susan Petty

David Mason: Linking Past & Future
———————–
“In the middle of the Ojai Valley lies a little hamlet, which the people have been kind enough to name after the author of this book.”
—- Charles Nordhoff

———————–

“The Ojai Valley (pronounced Ohy) is reached by a drive of 38 miles by way of the Carpenteria and the Casitas Pass…The valley is famous even in California for the abundance and loveliness of its woods of evergreen oaks…the oaks dot the surface of the whole lower valley, and are scattered over it in single specimens and clumps…”

The description crafted by Charles Nordhoff in his 1882 edition of “California for Health, Pleasure, and Residence” is a vision shared in many ways by one special Ojai man.

Separated by a century, Charles Nordhoff and David Mason share a common bond – enthusiasm for the Ojai Valley, and the ability to communicate that to others. Nordhoff wrote eloquently one hundred years ago about the grandeur of the valley and of California. Mason, a lifelong resident of Ojai, currently gives witty, informative slide shows about the history of the valley.

“Charles Nordhoff died on July 14 in 1901. I was born 38 years later in Ojai, on July 14. That coincidence has become significant to me over time, as I have become more drawn to the early days of Ojai,” said Mason, 53. “I feel very close to Nordhoff’s era in many ways.”

Mason’s interest in the past was sparked in 1964, when a friend’s mother died. The friend asked to use Mason’s dumpster to throw out some old things. Those “old things” included hundreds of postcards and photographs of early Ojai, and other memorabilia, Mason rescued all he could from the trash bin, and he was hooked.

“I framed a lot of the postcards, and had copies of the photos made for the Ojai Valley Museum and the Ventura County Museum. Over the years I’ve collected much more, and I’ve saved things, like photos of Lake Casitas being built. I’m an incredible packrat,” he said with a chuckle.

Mason now serves as vice chairman, and is past chairman, of Ventura County’s Cultural Heritage Board. He was the first chairman of the City of Ojai’s Cultural Heritage Board, and was also Ojai’s Citizen of the Year in 1986. Mason works as a realtor, having retired after a 25 year career as a florist. He owned the award-winning Village Florist in the Arcade, and closed it three years ago.

David Mason is one of Ojai’s best known and popular historians. Here he is at the historical Ojai State Bank’s vault. News Photo by GEORGE TENNEY.

Mason’s slide show, which he presents to groups around the county, begins with Charles Nordhoff’s birth in 1832 in what was then Prussia. He tracks Nordhoff’s life – his move to America at the age of 3 and, later, traveling around the world with the U.S. Navy. Eventually Nordhoff became editor of the New York Post, and wrote his famous book “California for Health, Pleasure, and Residence” in 1872. That 206 page volume brought so many settlers to the state that Nordhoff was the name originally chosen for Ojai.

“Between 1870 and 1900, the population of California doubled, growing from 560,000 to well over a million. In that same 30 year period, over three million copies of Nordhoff’s book were sold,” Mason commented.

According to Mason, Mrs. Catherine Blumberg suggested the town be named Nordhoff in the early 1870’s. Topa Topa was also being considered. Catherine and her husband, Abram Wheeler Blumberg, came out West because of Nordhoff’s book and built the Ojai Inn in what is now Libbey Park. Nordhoff remained the village’s name for over 40 years.

“The name was formally changed to Ojai in 1917, at the beginning of World War I. There was a lot of anti-German sentiment, which fueled the change,” Mason remarked.

With slides and commentary, Mason captures the growth of the little town from 1872, when about 50 people lived in the village, up into the 1920’s. By then, cut-glass heir Edward Drummond Libbey of Ohio had come to Ojai and put his very personal stamp on the town. Libbey bought the 360 acre Arbolada, to save the area from being cut down for wood, and began to sell lots for homes. He also built the Ojai Valley Inn, the Post Office tower, the arched entryway to Libbey Park (now gone), and transformed the front of the downtown stores into a Spanish Mission style Arcade. Libbey also made a generous donation to the St. Thomas Aquinas Chapel, and had a hand in its construction.

“Mr. Libbey had the desire to make things beautiful and the money to do it. He was influenced by castles in Spain and the rural Spanish towns, with their muted colors and soft, flowing lines.

“Mr. Libbey was also a smart developer. Here he had bought the Arbolada, but then had trouble selling the lots. People would come out to Ojai to buy a lot and they’d see how rustic things were downtown, with dirt streets and wooden slats along the front of the stores. It lacked charm. It looked like a Western frontier town and there wasn’t much to do,” Mason said. “So Libbey created a golf course and a nice downtown.”

Mason feels that if Libbey were to visit Ojai today, he would be quite pleased with the town.

“He would definitely approve of the look of Ojai. He would particularly like the Redevelopment Agency’s project of 1980, which remodeled the back of the Arcade to match the front. That completed Mr. Libbey’s vision for the town,” he said. “But he would miss those arches that were in front of the park!”

The arches were torn down in the late 1960’s. Originally they stood along the Ojai Avenue entrance to the park, and were designed to provide a balance to the heavy look of the Arcade. The park arches had an overhead trellis that was covered in wisteria. And directly in front of the arches, a lion’s head fountain served as a horse trough. The fountain was in place several years before Libbey commissioned the arches.

Colorized post card of the pergola with fountain. The park’s name was changed from “Civic Center Park” to “Libbey Park”.

Mason believes that there might be a resurgence of interest in the old arches, and a move to replace them eventually. Mason would support such a move.

“I have a lot of respect for Mr. Libbey’s aesthetic vision for Ojai,” he said. “It’s our heritage. It’s what makes us unique.”

[Mason later headed up a committee to rebuild the Pergola. The recreated Pergola was dedicated on July 4, 1999.]

Evelyn Nordhoff is Returned

This article first appeared in the Ojai Valley News on February 19, 1999. It is used here with their permission.

Evelyn Nordhoff is Returned

By

David Mason

“The People of The Ojai can best show their appreciation of the generosity of the donors by keeping the fountain free from defacements, and by gradually developing around it village improvements of other kinds.” –The Ojai, Saturday, October 15, 1904

The journey to the town of Nordhoff, now Ojai, was long and tiring.

The dusty road was hardly passable in many places and the fact that the buggies had to ford rivers at least a dozen times didn’t help. The wild berries hanging down from the low tree limbs seemed to cover the trail.

There was a sign of relief when the buggies made it to the small camping area, now Camp Comfort, to take a rest. The stream was always running with cool water and the towering trees provided a shady nook.

When travelers finally reached the small western town of Nordhoff, the first stop was the conveniently placed watering trough and drinking fountain in the center of town.

The fountain was a beautiful addition to the small community which had earlier lacked any architectural charm – it’s design would eventually become known as “Mission Revival” and it was one of the earliest examples.

The Ventura Free Press called it “one of the finest fountains in the state,” and described it in detail.

“On the side facing the middle of main street, we see the drinking place for horses, consisting of a stone trough about twelve feet long, two feet deep and two feet wide, always full of running water supplied from a pipe running out of the lion’s mouth.

“A division, the centerpiece of the fountain, runs lengthwise directly back of the horse trough, and is made prettier by having the stone cut into mouldings at either end. This piece is about fourteen feet long and fully eight feet high in the middle, and is rounding at the top. At each end of this, only a few inches above the ground, the poor thirsty dogs find drinking places.

“The drinking place for humanity is found on the side next to the Ojai Inn, and consists of a large bowl hollowed out of a piece of stone, into which runs a tiny stream of water from a small lion’s mouth.

“The donor has not forgotten the tired traveler, but has built a broad resting place for him on a big slab of stone. The Ojai newspaper refers to as ‘an ornament we should be proud of.'”

Early image of the Nordhoff horse trough, before the pergola was built.
Early image of the Nordhoff drinking fountain, before the pergola was built.

Lion head fountain on the horse trough, before the pergola was built.
Lion head fountain on the horse trough.

Lion head fountain on the street side of the pergola, 2017,
Lion head fountain on the street side of the pergola, 2017.

The fountain, built in memory of Evelyn Hunter Nordhoff in 1904, was indeed an improvement to the downtown block. The community of Nordhoff, the principal settlement in the Ojai Valley, had been established in 1874 and was still in its early stages of development. Evelyn Nordhoff was the daughter of Charles Nordhoff, the well-known author for whom the town was named.

Evelyn Nordhoff’s early life was spent at the family home on the New Jersey palisades, in an area which would eventually become known as “Millionaire’s Row.”

As a young woman, Evelyn enrolled at Smith College, located in west-central Massachusetts and founded in 1871 for the education of women. Her schooling was cut short after one year, with the reason given that “she was needed at home.”

Evelyn learned to etch copper and gained notice by producing decorative, printed calendars. She also created artistically-worked leather pieces.

According to researcher Richard Hoye, “An opportunity opened for Evelyn to visit England when her brother Walter was posted there as a newspaper correspondent.”

In 1888, the first Arts and Crafts exhibition was staged in London, and a co-founder of the exhibition society, Thomas Cobden-Sanderson, presented four lectures on bookbinding. Evelyn’s attendance at these lectures piqued her interest in that line of work.

When she eventually returned to America, the Nordhoff family made a touring visit to California. The Ventura County newspaper reported that the Nordhoffs passed through the seaside town and went directly to the Ojai Valley.

Returning to New York City, Evelyn obtained work with a bindery to pursue her interest in the art of bookbinding. There she learned to sew pages and to mend old books. This was the first level of the craft. Evelyn would learn the business from many teachers before she became proficient in the skill of bookbinding.

Evelyn opened her own workroom in Greenwich Village across from the New York University. Her artistry in the work of bookbinding began to gain attention for the young Evelyn as a woman and an artist. She possessed the Nordhoff sense of independence, and the initiative in pursing against the odds.

Training in a craft from which women had previously been excluded reflects a high degree of personal determination and she was a good example of a confident and talented woman, the first woman in the United States to take up the vocation of artistic bookbinding.

Evelyn Nordhoff spent her summer months in California with her parents, who, by this time, made their home in Coronado. In late summer of 1889, when Evelyn would again have departed from Coronado after a summer’s visit, her parents did not realize that this would be their last parting with their daughter, for in November they received word she had died.

She had suffered an attack of appendicitis, was operated on, and failed to recover.

The Nordhoff fountain was given to the community of Nordhoff by sisters Olivia and Caroline Stokes in Evelyn’s memory. The Stokes sisters had inherited wealth from banking, real estate and other interests in the New York City area. They were lifetime companions, never married, especially devout and well-known philanthropists. Their gifts were numerous and worldwide.

The Stokes sisters visited the Ojai Valley in 1903, staying at the Hughes home on Thacher Road, and were probably influenced by Sherman Thacher, founder of a nearby boys’ school, to build the fountain as a lasting memorial to this talented young lady.

Richard Hoye suggests that, “There may also have been a temperance motive. The banning of liquor was strongly supported in the community and by the Stokes sisters. A drinking fountain closely located to a horse trough would remove an excuse that stage drivers and their passengers might have had to resort to alcohol to slacken their thirst after a dusty trip from Ventura to the mountain town.”

In 1917, when Edward D. Libbey, Ojai’s greatest benefactor, began his transformation of the small town, he had the fountain moved back four feet to widen the roadway.

Libbey removed the Ojai Inn and built a beautiful, wisteria-covered, arched and walled pergola. With the fountain as the center focal point, an attractive entrance was created into the Civic Center Park, now Libbey Park.

The pergola with fountain in snow, January 1949.
The pergola with fountain in snow, January 1949.

Colorized post card of the pergola with fountain.
Colorized post card of the pergola with fountain.

In the 1960s, the whole structure began to shown signs of age and suffered major damage from vandalism. In the turmoil of this period, the entrance arch was damaged by explosives and by 1971 the pergola and fountain were removed.

The pergola was bombed in 1969 and later removed.
The pergola was bombed in 1969 and later removed.

The bronze plaque on the fountain that was inscribed, “In memory of Evelyn Hunter Nordhoff, this fountain is given to the people of Nordhoff, 1904” was returned to members of the Nordhoff family.

With the restoration of this landmark – the pergola and the Nordhoff fountain – the bronze plaque has been returned to the people of the Ojai Valley. The plaque will once again be placed on this beautiful fountain which will be rebuilt in memory of Evelyn’s aspirations and accomplishments – a spirit which has prevailed in the history of the Ojai Valley, in its schools and its artistic culture.

Celebration of the newly rebuilt pergola with fountain, July 4, 1999 .
Celebration of the newly rebuilt pergola with fountain, July 4, 1999 .

Florist and historian David Mason getting flowers ready for the pergola restoration celebration. He was the driving force behind the project to rebuilt the pergola.
Florist and historian David Mason getting flowers ready for the pergola restoration celebration. He was the driving force behind the project to rebuild the pergola.